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Zanbaka Offers Private, Semi-Private, and Group Dance Instruction in the Seattle Area.
See below for current class/workshop offerings, information, policies, and frequently asked questions.

Group Instruction
with Zanbaka
-Sharpen staccato isolations and shimmies for drum solo technique
-Purify smooth and fluid isolations
-Refine arm/hand movements and precision of turns
-Improve your body's synchronization with rhythm and tempo
- Clarify movement definition to expand your bellydance vocabulary
Tuesdays
Beginning Technique: 7:30-8:30pm
Intermediate Technique & Combos: Tuesdays, 8:30-9:30pm
Belltown Ballet and Conditioning Studio is located at 2306 4th Avenue between Bell and Battery, on the East side of the street. Free Street Parking Available in the Vicinity. Intermediate students, please bring a veil and finger cymbals.
Sundays (On Hold
until June)
Beginning Technique: Sundays, 7:30-8:30pm
Intermediate Technique & Combos: Sundays, 8:30-9:30pm
Single Class (Tuesdays or Sundays) 4-Week Session, $50 (Cash, Check or Paypal).
If your schedule cannot accommodate all 4 classes in session, Drop-In fee is $15/class.
Both Classes 4-Week Session, $90 (Cash, Check or Paypal). No make-ups or refunds on full session payments, please.
To register for the full session or to rsvp as a drop-in, contact me at:
zanbaka@hotmail.com
Next 4-Week Session Dates
Current: (Please note that there is a weeklong gap during this
session)
April 29, May 6, 20, 27
Next: June 3, 10, 17, 24
With an
emphasis on moving from the core muscles, Zanbaka's approach to belly dance
offers students the vocabulary, skills, and freedom to pursue whatever style
they prefer. The Beginning Class is appropriate for those who have never
taken a dance class in their life and for more experienced dancers who want
to perfect the basics. This class includes:
1) A multitasking warm-up
utilizing common foot-patterns and arm movements while raising heart-rate,
lubricating joints,
increasing blood flow/oxygen to all parts of the body, and sharpening our
alertness.
2) Slow finger cymbal
rhythms combined with simple foot patterns/arm movements
3) Conditioning to
strengthen muscle groups used in bellydance and to improve alignment and
control
4) "Light" stretches to open up areas of the body
that may have become stagnant or tight during the course of the day
5)
Technique exercises for postural alignment, beginning turns, and arm
positions
6) Various isolation drills for the head,
shoulders, arms, wrists, hands, ribcage, abdominals, and hips.
In addition to developing muscle
memory, our goal with the weekly drills is to
build speed, clarity, and
precision, since they are the basis for so many advanced movements in
bellydance.
7) Combinations to
strengthen transitions between movements.
8) A cool-down with deeper
stretches and relaxation
In addition to more advanced versions of the Beginning Class content, the Intermediate Class includes work with layering, traveling steps and combos/topics from a revolving array of bellydance styles: Folkloric, Orientale, Tribal Improv, Funky Modern, and World Fusion.
Click Here for Frequently Asked Questions, New Student
Info, Class Etiquette and Policies
To pre-register contact Zanbaka:
Ph. 206.321.2912
zanbaka@hotmail.com
www.zanbaka.com
About the Instructor...

Zanbaka's instruction focuses on a strong foundation in technique and a variety of belly dance genres ranging from traditional folkloric and oriental to more modern styles such as tribal and world fusion. Her vision of dance is a balance between the old and the new, tradition and innovation. Zanbaka is an accomplished soloist, choreographer, one of the founding members and principle dancers of Raqs Halim Dance Ensemble (1998-2005), as well as a dancer with Rubina Carmona’s La Peña Flamenca de Seattle (2001-Present).
Followed by early training in music, tap, ballet, and jazz, Zanbaka’s background and experience lies in fitness, movement, and a variety of dance genres (Flamenco, East Indian Orissi, West African Dance, and of course... Belly Dance). Having earned her Bachelor of Arts in Near Eastern Languages and Civilization from the University of Washington, she possesses a passion for the language, history, music, and culture which inspire belly dance. Through her belief that the best teachers are lifelong students themselves, when Zanbaka is not teaching, rehearsing, or working you can usually find her in a dance class. She has studied with a long list of renowned master instructors through private lessons, weeklong dance intensives, and seminars.
With an emphasis on using core muscles to power isolations, she has an ability to breakdown movements into their basic components and offer alternative explanations/visualizations to suit a variety of learning styles. Known for her refinement exercises and drills, she uses a 'building blocks' approach to help students master the more challenging movements of belly dance while perfecting the basics. She stresses the importance of studying and mastering a fundamental groundwork of bellydance technique, rather than pigeonholing oneself into a particular style. In addition to the physical aspect of technique, knowledge is key. She feels students should strive to educate themselves on the background of traditional and contemporary bellydance styles, history, cultural issues, language, music, and performer ethics.
Zanbaka is recognized throughout the Pacific Northwest for her well-conceptualized performance pieces, researched fusion styles, and elaborate group and solo choreographies. In addition to teaching numerous workshops locally and nationally, she is sought after as an instructor by absolute beginners who want a thorough foundation in technique to seasoned performers who want to challenge their limits.
Class/Workshop Offerings:
Workshop offerings encompass a wide variety of concepts and styles from Zanbaka’s diverse background and experience. Any of these topics can be catered toward preferred presentation approach: short combinations/choreography (for solo improvisational or solo/group choreography) or cues in a tribal lead/follow format (for group improvisational dancers). All workshops include thorough warm-up, stretch, and cool down as well as work with technique, posture, isolations, strengthening, flexibility, form, and rhythm.

Drills, Technique, and Moving from the Core
Basics through Advanced
No matter what style you prefer, all dancers can agree that strength, control, endurance, and core strength will keep you dancing with an edge and keep your body feeling great for years to come. Refine staccato isolations and shimmies for drum solo technique, purify smooth and fluid isolations, and improve your body’s synchronization with rhythm and tempo. Extensive series of stretches, conditioning, drills, and technique exercises for head, shoulder, arm, hand, ribcage, abdominal, and hip isolations.
Musical Interpretation
Dancer's Block? Stuck in a rut with a new choreography project? Feel like you lose your focus once you take the stage for solo or group improvisation? Learn Zanbaka’s tried and true methods for choreographic or improv combo composition. Tips for dance notation and dissecting a piece of new music via style, region of origination, rhythm, musical nuances and elements.
Improvisational Tribal Style
Tribal Basics, Tribal Variations, Advanced Combos. Zanbaka's signature repertoire for Tribal Group Improvisation. A unique departure from the standards, her repertoire is based on the improvisational concepts of Gypsy Caravan and FatChanceBellyDance, infused with more elements of Middle Eastern Folkloric, Flamenco, West African, and East Indian Orissi Dance and is also taught from a right/left, even sided approach.
Flamenco Fusion
Hands and Arms, Fan, Manton (Shawl), Skirt work, Flamenco inspired movements for Improvisational Tribal Style.
East Indian Fusion
Hands, Arms, and Poses, Footwork/Ankle Bells, East Indian inspired movements for Improvisational Tribal Style
North African Regional
Dances and Modern Fusion
Working with 6/8 rhythms, Guedra, Tunisian, Shikhatt, Moroccan Castanets (Qarkabeb), Algerian Scarf Dance (with scarves [trad.] or streamer poi [mod.]), North African 6/8 movements for Improvisational Tribal Style
Turkish Regional Dances and Modern Fusion
working with ciftitelli and 9/8 rhythms, Turkish Rom, Fusion Skirt work, Turkish spoons, Turkish 9/8 movements for Improvisational Tribal Style.
Egyptian Regional Dances and
Modern Fusion
Ghawazee, Saiidi, Raks al-Assaya (cane dance), Classical, Modern, working with various Arabic rhythms.
Props
Veil, Double Veil, Candles, Balancing (Sword, Basket, Urn, Tray), working with props in group improvisation
Finger Cymbal Rhythms
Basic to Complex
Other Specialty
Drum Solo, Taqsim, Floorwork, Lebanese Debke
Choreography Commissions
For soloists & groups of all levels.